This evening’s Prom concert, given by the BBC Scottish Symphony Orchestra conducted by Ilan Volkov, opens with the world première of a new work, Nuages, by US composer Linda Catlin Smith. In preparation for that, here are her answers to my pre-première questions, plus the programme note for the piece. …
USA
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FestivalsPremières
Proms 2019: Benjamin Beckman – Occidentalis (European Première); Detlev Glanert – Weites Land (UK Première)
by 5:4Until last Sunday, among the new works premièred at the Proms there hadn’t been what we’re all used to hearing: namely, a short, ebullient romp that gets a concert up and running. And then, a couple of days ago, the National Youth Orchestra of the USA, directed by Antonio Pappano, …
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This morning’s Prom concert, given by the National Youth Orchestra of the USA, features the first European performance of Occidentalis by one of the orchestra’s Apprentice Composers, Benjamin Beckman. To provide some background and context, here are his answers to my pre-première questions, along with the programme note for the piece. …
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The main focus during the five days of concerts at Forum Wallis was on ensemble and chamber music. An important and impressive feature of these concerts was their aesthetic diversity, not showing a marked preference for certain kinds of music-making. This resulted in extremely different – sometimes, practically opposite – …
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The lack of ostentation in most of the music at this year’s Only Connect festival was perhaps nowhere more conspicuous than in a concert last Saturday devoted to French composer Pascale Criton. Performed by violinist Silvia Tarozzi, cellist Deborah Walker and singers Stine Janvin Joh, Signe Irene Stangborli Time and …
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There’s something absolutely right about the bringing together of Norway’s Only Connect – a festival that, as its name implies, encourages one to question (inter)connections between ostensibly disparate musics – with Tectonics, Ilan Volkov’s peripatetic festival the name of which evokes fundamental, underlying bedrocks that continually meet, connect and rupture. …
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I am interested in the long introduction (unfolding) form, in elemental tonal interaction, in aggregation and augmentation, in liminal perceptual states, shifts in density, the filtered atmosphere, and intense, focused experiences. This is how US composer Catherine Lamb summarised her music to me in 2017. On that occasion, they served …
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On Wednesday, the Dark Music Days moved out of Reykjavík to the arts centre of Hafnarborg in the neighbouring town of Hafnarfjörður, where the Icelandic Guitar Trio – Þórarinn Sigurbergsson, Þröstur Þorbjörnsson and Svanur Vilbergsson – gave a recital featuring three native works alongside music from the UK and USA. The Icelandic pieces …
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The Missing Ensemble was a US trio comprising Daniel De Los Santos, John Sellekaers and Mathias Delplanque, who together released two albums around 13 years ago. i forget where the recommendation to listen to their music came from all those years ago, but i do remember that one of the things …
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NB. At the time when this article was published the Access to Arasaka back catalogue was only available in low-resolution lossy files; this situation has now changed – click here for an update. [June 2021] Apologies for the silence on 5:4 for the last couple of weeks, but i’ve been …
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The last couple of years have been good for one of the UK’s most impressive new music groups, Explore Ensemble. Two years ago, i first heard them at HCMF on ‘Shorts’ day, giving a gripping account of Gérard Grisey‘s Talea, and they returned to the festival last year to give a …
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ConcertsFestivalsPremières
HCMF 2018: Ensemble Musikfabrik, Christian Marclay: Investigations
by 5:4It’s not unusual, considering HCMF’s openness to stepping outside the bounds of convention, for a new work at the festival to have to overcome how extraordinary it is. That was certainly the case in Huddersfield Town Hall yesterday afternoon, where Christian Marclay‘s Investigations received its world première. It wasn’t just …
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20th CenturyCD/Digital releases
all that dust: music by Morton Feldman, Matthew Shlomowitz, Séverine Ballon, Milton Babbitt and Luigi Nono
by 5:4The launching of a new label devoted to contemporary music is something to celebrate, and the newest kid on the block is all that dust, the brainchild of composer Newton Armstrong, soprano Juliet Fraser and pianist Mark Knoop. The label’s first five releases have recently appeared, and there are a …
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FestivalsPremières
Proms 2018: Simon Holt – Quadriga; Suzanne Farrin – Hypersea (World Premières)
by 5:4Last Monday at Cadogan Hall, percussionist Colin Currie and the JACK Quartet combined forces to perform two works from the ’80s by Xenakis and two world premières, by Simon Holt and Suzanne Farrin. The points of inspirational origin of these pieces were somewhat different from what one usually encounters in new music, …
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The Proms wouldn’t be the Proms if it didn’t feature one of its favourite obsessions: contemporary music commissioned with the specific aim that it ‘responds’ to existing works in the repertoire. The most recent example of this is The Brandenburg Project, an idea dreamt up by the Swedish Chamber Orchestra …
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Tomorrow afternoon’s Prom concert at Cadogan Hall features percussionist Colin Currie with the JACK quartet. Alongside two classic works by Xenakis, they’ll be performing two world premières, Simon Holt‘s Quadriga and Suzanne Farrin‘s Hypersea. In anticipation of these first performances, here are their answers to my pre-première questions, together with …
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CD/Digital releases
Gráinne Mulvey / Christopher Fox – Aeolus / untouch; John Wiggins – The Listened To Sound; Lee Fraser – Cor Unvers
by 5:4A new EP out on the Metier label brings together two works that each exist in an interesting relationship to real sounds. Irish composer Gráinne Mulvey‘s Aeolus, as the title suggests, takes its inspiration from the eponymous king of the island of Aeolia, names better known to us today via the …
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FestivalsPremières
Proms 2018: Chaines – Knockturning; Laurie Spiegel – Only Night Thoughts; Daphne Oram – Still Point (World Premières)
by 5:4For the most part, the Proms has always liked to pretend that electronics don’t really exist. The exception to this wilful ignorance are the occasions when electronics are made the focus of either a specific piece or an entire concert, as was the case with ‘Pioneers of Sound’, a late …
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FestivalsPremières
Proms 2018: Ēriks Ešenvalds – Shadow; Eve Risser – Furakèla (World Premières); Andrew Norman – Spiral (UK Première)
by 5:4A piece doesn’t have to be – in fact, can hardly be – all things to all people, but in the case of Shadow, by Latvian composer Ēriks Ešenvalds‘, one has to wonder if it has much if anything to offer a mature listener. This in itself is interesting precisely because …
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FestivalsPremières
Proms 2018: Caroline Shaw – Second Essay: Echo; Third Essay: Ruby (World Premières)
by 5:4What has been will be again, what has been done will be done again; there is nothing new under the sun. Whether or not you agree with these words – penned by the sombre but often startlingly wise author of the biblical book of Ecclesiastes – it’s impossible not to …