Everybody needs more Galina Ustvolskaya in their life. Especially at this time of year, which so easily and so unthinkingly tends to the traditional, the saccharine and the stupid. i’ve explored Ustvolskaya’s bracingly refreshing, invariably mesmerising music on several occasions, including her first and third symphonies. i remarked before about …
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Russia
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As i mentioned previously, the majority of this year’s AFEKT was focused on solo performers – primarily members of Ensemble Musikfabrik – with or without electronics, and these proved to be the strongest events of the festival.
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In recent years the Swiss music festival Forum Wallis has broken up its elements into three parts – instrumental, electronic and folk – taking place separately, in different parts of the Valais region. As last year, i just attended the instrumental performances, which took place over two days in Schloss …
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Perhaps there’s never been a more appropriate time for a music festival to take as its theme, “Border State”. Borders seem more prominent in world events than ever: we’ve seen them being viciously violated, vigorously reinforced, valiantly defended. Conflicts continue to rage, and the resultant feeling is one of separation …
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None of Galina Ustvolskaya‘s five symphonies are particularly well-known. That’s also true for most of her output, but it’s particularly true of the symphonies, which are rarely performed and even more rarely recorded. Her First Symphony is perhaps the most obscure of them all. Composed in 1955, the work is …
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Chamber music implies a particular kind of intimacy, and that’s overwhelmingly the case on a new album of music by Russian-born composer Lera Auerbach. Part of its intensity comes from the fact that the performers are Avita Duo, comprising pianist Ksenia Nosikova and her violinist daughter Katya Moeller. This in …
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The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist …
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In my series of articles focusing on free music last year, i explored Nikita Golyshev‘s remarkable album 15 Songs from Glass, Oil and Other Sources. Originally released in 2007, and long since vanished from the web, at time of writing i was only able to share the MP3 version of …
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20th CenturyCD/Digital releases
Estonian Philharmonic Chamber Choir – music by Schnittke and Pärt; Latvian Radio Choir – Ramon Humet: Light
by 5:4This week i’ve been spending time with a couple of new albums that could each be described as being “devotional”. By that i don’t simply mean ‘religious’, although both of them are fundamentally informed by that attitude, one explicitly, the other implicitly. Listening to them has been a thought-provoking experience, …
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CD/Digital releasesFree musicThematic series
Nikita Golyshev – 15 Songs from Glass, Oil and Other Sources
by 5:4NB. At the time when this article was published i only had access to the lossy version of this album; this situation has now changed – click here for an update. [February 2022] We tend to assume nowadays that, once something is put online, it’ll never disappear. But in the …
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FestivalsPremières
Proms 2019: Jocelyn Pook – You Need to Listen to Us; Alissa Firsova – Red Fox; Ryan Wigglesworth – Piano Concerto (World Premières)
by 5:4A few weeks back, when critiquing Hans Zimmer’s short work Earth, i almost held back from writing about the piece as it was taking place in a concert for children. i couldn’t help wondering to what extent it was fair to hold up something so intentionally superficial to critical scrutiny. …
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The most taxing challenge facing Reykjavík on Sunday was not, surprisingly, the -9°C temperatures permeating the city that day, but the evening chamber recital at the Fríkirkjan given by the group Kúbus. The day before, Georg Friedrich Haas had made 70 minutes feel like less than half of that; on this occasion, Kolbeinn …
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What is it that holds music together? How loosely can it be structured and/or organised, and at what point does its integrity irrevocably break down? When does intense earnestness become perceived as affectation? When does patience cease being a virtue and become a problem, even a handicap? i found myself …
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CD/Digital releases
Erkki-Sven Tüür – Illuminatio / Whistle and Whispers from Uluru / Symphony No. 8; Arvo Pärt & Alfred Schnittke – Choral Works; Arvo Pärt – The Symphonies
by 5:4Returning to one of my occasional themes, there have been some interesting releases of Estonian music in the last few months. In February, i wrote about the Ninth Symphony by one of the country’s most dynamic composers, Erkki-Sven Tüür, so it’s nice timing that the Ondine label has brought out …
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If composers have generally lost a lot of the romanticised mystique and puffery that used to surround them (no bad thing), there remains one area where compositional intent is still likely to raise eyebrows and/or hackles, and confine the composer to a box labelled ‘weirdo’: non-standard tunings. Due to the …
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FestivalsPremières
Proms 2015: Anders Hillborg – Beast Sampler (UK Première); Raymond Yiu – Symphony; Alissa Firsova – Bergen’s Bonfire (World Premières)
by 5:4The latest spate of Proms premières have made for an interesting contrast in terms of abstract versus concrete ideas. At the former end of the continuum—where else would you find him?—was Anders Hillborg and his latest orchestral piece Beast Sampler; at the latter end was Raymond Yiu‘s Symphony, a large-scale …
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FestivalsPremières
Proms 2013: Sofia Gubaidulina – The Rider on the White Horse (UK Première)
by 5:4The beauty and diversity of nature has been a recurring theme in this year’s new music at the Proms, whereas religious sentiment has been entirely absent—until, that is, last Tuesday’s performance of Sofia Gubaidulina‘s The Rider on the White Horse. Culled and reworked from her 2002 oratorio St John Easter …
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AnniversariesPremièresThematic series
Schnittke Week – Hommage à Edvard Grieg, Symphony No. 8 (UK Première), Concerto Grosso No. 2 & (K)ein Sommernachtstraum
by 5:4The fifth and final concert featured in this Schnittke Week was broadcast on 15 January 2001, and featured the BBC Symphony Orchestra conducted by Eri Klaas. The first part of the concert opened with something of an oddity: Hommage à Edvard Grieg, composed for the 150th anniversary of Grieg’s birth …
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AnniversariesThematic series
Schnittke Week – Cello Concerto No. 2 & Symphony No. 5 (Concerto Grosso No. 4)
by 5:4Today’s featured Alfred Schnittke concert was broadcast on 14 January 2001, and comprised two monumental pieces, the Cello Concerto No. 2, with Torleif Thedéen taking the solo role, and the dual-named Symphony No. 5 (Concerto Grosso No. 4); Vassily Sinaisky directs the BBC Philharmonic. More than the others, this recording …
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AnniversariesThematic series
Schnittke Week – Concerto Grosso No. 6, Monologue, String Trio & Concerto for Three
by 5:4Day three of my celebration of the music of Alfred Schnittke features music from a concert focusing on works involving solo strings, broadcast on 14 January 2001. Taking centre stage are soloists Ula Ulijona (viola), Marta Sudraba (cello), and the great violinist Gidon Kremer; they’re joined by the London Sinfonietta, directed …
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