The next music i’m featuring in my series exploring interesting free music is another soundtrack, again very short, this time from television. It’s something of an oddity, partly because it was never a ‘release’ in the usual sense of the word (and isn’t really available any longer), partly because it’s…
Tag:
soundtrack
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i’ve written about the music of Danielle Johnson – aka Danz CM (previously aka Computer Magic) – on a number of occasions. Her usual output is analogue synth-laden bedroom pop – growing increasingly sophisticated over the years, featuring in my Best Albums of the Year in 2018 and 2021 –…
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Premières
Proms 2022: Hildur Guðnadóttir & Sam Slater (arr. Robert Ames) – Selections from Battlefield 2042 (European Première)
by 5:4As part of the Proms’ inexorable slide away from concert works in an attempt to remain relevant, yesterday evening’s event was given over to orchestral arrangements and reworkings of music from videogames. They included the European première (following a performance by the LA Philharmonic late last year) of Robert Ames‘…
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i’ve written previously about my love of large-scale compositions, so it’s been fascinating to spend time with Temp Tracks, the latest album by Austrian composer Wolfgang Mitterer, which explores music at the opposite end of the continuum. Taking its title from the film scoring practice of using extant music as…
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CD/Digital releasesMovies
Adam Janota Bzowski – Saint Maud (Original Motion Picture Soundtrack)
by 5:4NB. While this article does not contain any specific plot spoilers, it does discuss various aspects of Saint Maud; anyone yet to see the film may wish to postpone reading further until afterwards. For a long time i’ve been itching to write a large-scale text about the relationship between avant-garde…
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Considering that, when i’m not doing something musical, i’m most often to be found in front of a movie, it’s perhaps surprising that none of my previous mixtapes have been devoted to film scores. Until now, that is. Over the summer, the Beloved and i have been working our way…
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FestivalsPremières
Proms 2019: Hans Zimmer – Earth; Alexia Sloane – Earthward (World Premières)
by 5:4The most significant love-hate musical relationship of my life has been – and continues to be – with film scores. Few idioms have the power to elevate, charm, horrify, astonish and amaze us more while at the same time displaying the irresistible propensity to eschew all originality and imagination in…
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The word ‘sacrilege’ doesn’t hold a lot of meaning for me, yet it was this very word that popped into my mind when i was contacted a couple of months ago by Boston musician Mike Langlie, a.k.a. Cat Temper, to let me know of his latest project Henry, being a…
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CD/Digital releases
Swagger, languor and a force field: the soundtracks of Maniac, Only God Forgives and Upstream Color
by 5:4It’s some time since i’ve explored movie soundtracks on 5:4, but there have been three this year that have stood out from the crowd, all very far indeed from the conventions of cinematic swooshery. That in itself isn’t terribly surprising, as their respective films are, to differing degrees, at some…
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All good things etc., and this year it fell to composer Anna Clyne—and the BBC Symphony Orchestra, conducted by Marin Alsop—to get underway the biggest party-masquerading-as-a-concert of them all, the Last Night of the Proms. In calling her short work Masquerade, Clyne is presumably alluding chiefly to the carnival atmosphere…
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This evening the BBC Philharmonic gave a concert from their swanky new home at MediaCity in Salford, dedicated to film music, conducted by Robert Ziegler and and hosted by the superlative film critic Mark Kermode. Towards the end of the concert, the orchestra performed three pieces from the films of…
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Today marks the 20th anniversary of the end of the television show Twin Peaks; the final episode was broadcast on 10 June 1991. Therefore, the new 5:4 podcast is a celebration of the remarkable music from this unique show. Despite some discussion of the story, those who haven’t yet seen…