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Tag:

violin

  • Advent CalendarPremières

    Milton Babbitt – An Encore (European Première)

    by 5:4 December 11, 2022 • 05:00
    December 11, 2022 • 05:00

    There are some composers whose music i keep coming back to not out of love but with the attitude of a nutcracker, trying once again to break through its tough, tenacious surface. i don’t know Milton Babbitt‘s music well (as i admitted when noting his centenary a few years back),…

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  • CD/Digital releases

    Congregation of Drones – Twenty Twenty

    by 5:4 October 4, 2022 • 14:58
    October 4, 2022 • 14:58

    Is there a collective noun for drones? It wasn’t until i was about halfway through Twenty Twenty, the debut release from Congregation of Drones, that the question occurred to me. On the strength of this remarkable album, though, ‘congregation’ seems entirely appropriate. Congregation of Drones is a duo comprising violinist…

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  • Premières

    Proms 2022: Missy Mazzoli – Violin Concerto (Procession) (European Première)

    by 5:4 August 16, 2022 • 13:53
    August 16, 2022 • 13:53

    Sunday evening’s Prom included the European première (so nice to see Britain still regarded as being in Europe) of Missy Mazzoli‘s new Violin Concerto. Parenthetically subtitled ‘Procession’, the work is something of a response to the time of lockdown, examining, in Mazzoli’s words “how we use music and ritual to…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 2)

    by 5:4 May 2, 2022 • 05:00
    May 2, 2022 • 05:00

    The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist…

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  • Lent SeriesPremières

    Naomi Pinnock – We are (World Première)

    by 5:4 March 22, 2022 • 14:03
    March 22, 2022 • 14:03

    The next piece i’m featuring in this year’s Lent Series, focusing on grief and loss, is probably the shortest i’ve ever explored on 5:4. Naomi Pinnock’s We are consists of a mere 12 bars of music, lasting around 60 seconds. The piece was part of BBC Radio 3’s ‘Postcards from…

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  • ConcertsFestivalsPremières

    HCMF 2021 (Part 1)

    by 5:4 November 26, 2021 • 16:55
    November 26, 2021 • 16:55

    Though this year it only lasted five days instead of ten, i came away from the 2021 Huddersfield Contemporary Music Festival with the distinct impression that, somehow, the usual quantity of music had been compressed into a reduced time frame. That’s not, mercifully, because of any attempt to shoehorn many…

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  • CD/Digital releases

    Xiaogang Ye – Mount E’mei; Winter; The Song of the Earth

    by 5:4 August 20, 2021 • 00:00
    August 20, 2021 • 00:00

    Five years ago i was getting excited by an album of orchestral music by a Chinese composer previously unknown to me, Xiaogang Ye. That excitement has been rekindled recently by the coincidentally-timed release of three new albums of Ye’s music in the last few weeks, which together provide an excellent…

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  • ConcertsFestivalsPremières

    Dark Music Days 2020 (Part 1)

    by 5:4 February 5, 2020 • 06:00
    February 5, 2020 • 06:00

    It no doubt goes without saying that Iceland’s Dark Music Days festival is primarily named for the fact that it takes place in January, when the amount of daylight the country receives is minimal. In a less literal sense, though, musically speaking there’s a lot to be said for listening…

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  • Anniversaries

    Éliane Radigue – Occam XXI

    by 5:4 January 25, 2020 • 06:00
    January 25, 2020 • 06:00

    The second of the three works i’m exploring in this Éliane Radigue birthday long weekend is also the most austere. Not only is Occam XXI for a single instrument, violin, but also in contrast to perhaps the majority of the Occam series, the harmonic language of the piece is radically…

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  • AnniversariesPremières

    Éliane Radigue – Occam River XV (World Première)

    by 5:4 January 24, 2020 • 11:30
    January 24, 2020 • 11:30

    A composer whose work i return to more often than most – and find the experience completely different every time i do – is Éliane Radigue. Today is the grande dame’s 88th birthday – joyeux anniversaire! – so, as i did a few years ago, i’m going to devote another…

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  • FestivalsPremières

    Proms 2019: Peter Eötvös – Alhambra; Tobias Broström – Nigredo: Dark Night of the Soul (UK Premières)

    by 5:4 July 30, 2019 • 17:23
    July 30, 2019 • 17:23

    The last two premières at the Proms have both been concertos: Alhambra, the third violin concerto by Peter Eötvös, and Nigredo: Dark Night of the Soul, a double-trumpet concerto by Swedish composer Tobias Broström. It’s been interesting to note how their overall approach to narrative is, at a fundamental level…

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  • ConcertsFestivalsPremières

    Only Connect 2019 (Part 1)

    by 5:4 May 29, 2019 • 14:41
    May 29, 2019 • 14:41

    There’s something absolutely right about the bringing together of Norway’s Only Connect – a festival that, as its name implies, encourages one to question (inter)connections between ostensibly disparate musics – with Tectonics, Ilan Volkov’s peripatetic festival the name of which evokes fundamental, underlying bedrocks that continually meet, connect and rupture.…

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  • FestivalsPremières

    Proms 2018: Per Nørgård – Symphony No. 3 (UK Première); Rolf Wallin – WHIRLD; Bushra El-Turk – Crème Brûlée on a Tree (World Premières)

    by 5:4 August 29, 2018 • 12:51
    August 29, 2018 • 12:51

    Quite apart from anything else they may embody, this year’s Proms premières have occupied pretty much the entire span of the profound—trivial continuum. At its most extreme, this has been exemplified by the most recent new works, which have ranged from a compositional exploration of infinity culminating in a state…

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  • Lent SeriesPremières

    Rebecca Saunders – still (World Première)

    by 5:4 March 13, 2018 • 15:17
    March 13, 2018 • 15:17

    The next piece i’m looking at in my Lent Series celebrating the music of Rebecca Saunders is something of an exception on 5:4, as it’s a work i’ve written about before. Saunders’ violin concerto still dates from 2011, and i explored the piece six years ago, following its first UK…

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  • FestivalsPremières

    Proms 2016: Malcolm Hayes – Violin Concerto; Huw Watkins – Cello Concerto; Charlotte Bray – Falling in the Fire (World Premières)

    by 5:4 August 16, 2016 • 10:25
    August 16, 2016 • 10:25

    Three Proms, three world premières, three concertos, one for violin, two for cello, all lasting around 25 minutes. The similarities between them go little deeper than these most basic facts, though, each occupied with a very particular soundworld, aesthetic, and relationship between soloist and orchestra. The results were similarly mixed.

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  • FestivalsPremières

    Proms 2016: Michael Berkeley – Violin Concerto (World Première)

    by 5:4 July 29, 2016 • 16:41
    July 29, 2016 • 16:41

    Violin Concertos are a regular feature among the new works premièred at the Proms, and the first of this year’s came from Michael Berkeley, given by violinist Chloë Hanslip with the BBC National Orchestra of Wales conducted by Jac van Steen. Berkeley’s work remains somewhat underappreciated in the UK, despite his prevalence over the years…

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  • Premières

    Per Nørgård – Three Nocturnal Movements (World Première)

    by 5:4 June 5, 2016 • 16:04
    June 5, 2016 • 16:04

    It’s Constitution Day (Grundlovsdag) in Denmark today, the closest the country gets to a national day, so i thought i’d mark the occasion with a piece by one of the country’s best-known composers that i’ve been spending time with lately. It’s a re-thinking by Per Nørgård of one of his earlier works, Remembering Child,…

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  • FestivalsPremières

    Proms 2015: Luca Francesconi – Duende – The Dark Notes (UK Première)

    by 5:4 August 12, 2015 • 12:11
    August 12, 2015 • 12:11

    The concerto form is a popular one for new works at the Proms, and the most recent, Luca Francesconi‘s Duende – The Dark Notes (originally intended for the 2014 Proms), has, i think, set the bar higher than any of the last few years. ‘Duende’ is a somewhat complex Spanish…

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  • FestivalsPremières

    Proms 2014: Simon Holt – Morpheus Wakes (UK Première); Jonathan Dove – Gaia Theory; Gabriel Prokofiev – Violin Concerto ‘1914’ (World Premières)

    by 5:4 August 16, 2014 • 19:34
    August 16, 2014 • 19:34

    The three Proms premières given at the end of last month make for an interesting comparison, with regard to the relationship between material and intention. There was no little weight being hefted around; Jonathan Dove‘s Gaia Theory aspired to James Lovelock’s hypothesis of the same name, concerning ideas of ‘self regulation’ in…

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  • FestivalsPremières

    Proms 2013: Peter Eötvös – DoReMi (UK Première)

    by 5:4 September 7, 2013 • 15:19
    September 7, 2013 • 15:19

    The penultimate première of this year’s Proms almost didn’t happen last Thursday, when two of the trio of percussionists failed to turn up, resulting in seven or eight rather tense minutes while presumably a host of minions dashed about behind the scenes attempting to find and drag them onstage. It…

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5:4
  • About
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  • The Lists
    • Listening History
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    • Compositions reviewed on 5:4
    • Composer Map
    • Albums and EPs reviewed on 5:4
    • Festivals reviewed on 5:4
    • Best Albums of the Years
    • The Proms premières – Poll results
  • The Dialogues
  • Mixtapes
    • Mixtapes
    • The Isolation Mixtapes
    • Mystery Mixtapes
    • Podcasts
  • Contact
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