Dear oh dear. It wasn’t terribly long ago that i was lauding Freezepop‘s most recent album, Future Future Future Perfect, and it was with some excitement that i approached their brand new release, a remix EP, the title of which would do Kraftwerk proud: Form Activity Motion. Essentially, just two …

Returning to the archives, here’s an eclectic variety of electronic music from the 2005 Cut and Splice Festival in London. The festival included a focus on three composers associated with the German Raster-Noton label: Frank Bretschneider, Carsten Nicolai (aka Alva Noto) and Olaf Bender (aka Byetone). During the festival, Frank …

Mmelancholy, theatricality and an understated gothic darkness pervade the second and most recent album by Johnny Hollow, Dirty Hands, released last year. And it’s just as well that these qualities are understated; the authentic, original traits of the 1980s indie ‘goth’ have become so hideously contorted into the present-day big …

Further to my recent post about Steven Wilson‘s fantastic album Insurgentes, there have been developments. For those fancying themselves as a budding remixer, Wilson has made available material from the opening track, “Abandoner”; go here for more info and the audio stems—there’s also a very nice, mellow remix on there …

As will have been obvious from my two “Best of” posts at the end of last year (here and here), i’m very taken with the work of sound artist Steve Peters. i’ve been spending a lot of time with his work of late, and one release has particularly impressed me …

Many moons ago, i wrote a retrospective of the work of Ryoji Ikeda, composer of some the finest raw digital music yet created. It’s an unfortunate corollary that Ikeda, like all great innovators, has a sizeable cluster of imitators (‘flattery’ be damned), many of whom form part of the now …

It may only be two-thirds of the way through January, but already i’m fairly sure that i’ve heard the album that’ll be my best of the year: Steven Wilson‘s Insurgentes. Wilson is the musician behind, among other acts, Porcupine Tree and Bass Communion, and Insurgentes—the first album he has released …

Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mixtape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of …

* Please note this list has how been superseded by the one on the Best Albums of the Years page * It’s been difficult deciding what i feel are the best albums of 2008. Partly, because i’ve listened to so many (of the 667 albums i’ve listened to this year, …

It’s been a fascinating year for music. And so, partly because i love making lists(!), here are the 5:4 Best EPs of 2008 (my top 40 albums will appear tomorrow): 10 | Belong – Colorloss Record Creators of some of the most poignantly decayed music ever, Belong have excavated four …

2008 seems to be drawing to a close with surprising alacrity, and already i’ve started to see a number of “Best of 2008” articles appearing. Rest assured i’ll be doing my own individual pick of the year’s highlights towards the end of the month. Meanwhile, let’s turn our attention to …

After far too long a hiatus, here’s a new mixtape, this time exploring some of my favourite cover versions. To be clear, none of these tracks are what i’d call ‘remixes’, which i think of as a separate, quite different discipline; these are good ol’-fashioned covers of some great original …

Last night, the Beloved and i were fortunate enough to be at the Barbican for the final performance of the three-night-only run of Drifting and Tilting: The Songs of Scott Walker. Devised by Walker himself, the performance comprised eight of his songs—taken, no surprise, from The Drift and Tilt—re-imagined for …

Netlabels are a curious phenomenon. On the one hand, they’re rather like havens for creatives to inhabit, artistic agglomerations producing wildly (un)predictable output; on the other, their surprising dedication to giving music away free of charge seems to have abandoned any hope of remuneration for creative endeavour. It’s hard to …

The week before last saw the release of Deerhoof’s new album, Offend Maggie. After the undiluted artistry and infectiousness of 2007’s Friend Opportunity, this was a definite highlight in the calendar, made all the more tantalising by the performance of half of the songs at their concert in Brooklyn’s Prospect …

i’ve been a fan of Unsuk Chin‘s music ever since she returned to instrumental writing in the early ’90s with Akrostichon-Wortspiel. Her Violin Concerto is awash with invention; all the talk of open strings is simply an opening gambit, from where it departs into vivid and distinctly unfamiliar territory. Often, …

i avoid superlatives whenever possible. If people ask me (and they do, surprisingly often) to name a favourite composer or artist or album, i invariably either deflect the question away—”i don’t really have one…”—or reflect it back at them—”i’m not sure; how about you…?”). For the most part, the best …

i’m surprised there’s not more comment on the web about the recent concert given jointly by the Metropolis Ensemble and Deerhoof, which took place in July in Brooklyn as part of the Wordless Music series. This had been hyped up a fair bit beforehand, partly because it was bringing together …

Ok, let’s get things going again with a band i’ve been meaning to write about for a long while. i’m assuming Operator Please will be well-known to many, but i’m not sure that would have been the case, say, 9 months ago, as their profile seems to have increased significantly …

Tomorrow, the Beloved and i set off for a little over 2 weeks’ exploration of “Na h-Eileanan Siar”: the Western Isles, beginning on Skye and then gradually moving beyond into the Outer Hebrides. Therefore, a short hiatus here on 5:4; enjoy the silence.