There’s a deep, tragic irony in the title of Breton musician Emilie Quinquis’ latest album. Eor means ‘anchor’, suggesting not just water and depths, but security and immovability. Yet its eight tracks are a dark sequence continually articulating wistfulness, uncertainty and loss. Its initial sounds, in opening track ‘Inkanuko’ (desire) …
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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