The final concert in the “New Tunes on Old Fiddles” series included the world première of Images Sombres by Adam Duncan, composed for the viola da gamba player Jonathan Manson. A title such as Images Sombres, composed for viol, puts John Dowland in mind, but while Duncan’s sensibility might echo …

Third in the “New Tunes on Old Fiddles” concert series was a recital given by the outstanding Dutch recorder player Erik Bosgraaf. The concert included two world premières: Impressions by Brit Matthew Bilyard and Jet by Greek composer Panayiotis Kokoras. The preamble claims Impressions conjures up “images of bustling coastal …

The second première in the “New Tunes on Old Fiddles” concert series was a work for viola d’amore and harpsichord, Who is Mr Grobe? by Duncan Ward, given its first performance last November by Catherine Mackintosh and Christopher Bucknall. Ward’s piece grew out of the apparent ‘mystery’ surrounding another piece …

A few months ago, BBC Radio 3 broadcast a series of lunchtime concerts recorded late last year at the Clothworkers Centenary Concert Hall in Salford, under the heading “New Tunes on Old Fiddles”. Each of the concerts featured early music played on period instruments, plus the première of a new …

This evening the BBC Philharmonic gave a concert from their swanky new home at MediaCity in Salford, dedicated to film music, conducted by Robert Ziegler and and hosted by the superlative film critic Mark Kermode. Towards the end of the concert, the orchestra performed three pieces from the films of …

Today marks the 20th anniversary of the end of the television show Twin Peaks; the final episode was broadcast on 10 June 1991. Therefore, the new 5:4 podcast is a celebration of the remarkable music from this unique show. Despite some discussion of the story, those who haven’t yet seen …

Since departing from rock outfit Parts & Labor in 2009, Sarah Lipstate has taken to exploring deeply experimental territory. Under the nom de guerre of Noveller, armed with only a guitar and the determination to subject it to all manner of treatments, she has spent the last couple of years …

From time to time, an album comes along that doesn’t just confound expectations, but actually goes so far as to widen one’s understanding of what music is capable of being. Scott Walker’s The Drift (which recently turned five years old) is, for me, the most memorable example of that; the …

Clodagh Simonds likes to take her time. Following an early spell of musical incandescence in the late ’60s and early ’70s (in her own group, the fascinating prog folk outfit Mellow Candle), the Irish singer was content to hover in the fringes for three and half decades before taking centre …

Having finally emerged from the dark days of Lent, i thought it would be fitting to have a new mixtape, with an upbeat theme. As i’ve mentioned on previous occasions, dance music has always been a parallel love of mine alongside the avant-garde, and this mixtape will, i hope, prove …

Yesterday was a long day, spent in the company of the music of Unsuk Chin, the latest composer to be featured in the Barbican’s ongoing Total Immersion series. In some ways, it feels like Chin’s music has been around forever—or, at least, for the last 20 years, since Acrostic-Wordplay first …

James MacMillan‘s most recent composition, Seraph, a concertino for trumpet and strings, was premièred by Alison Balsom and the Scottish Ensemble a little over a month ago, at the Wigmore Hall in London. Its bold, militaristic start immediately puts Shostakovich in mind, but this is supplemented with an obvious reference …

On 11 February, getting on for 15 years since its world première in Darmstadt, Detlev Glanert‘s Musik für Violine und Orchester arrived in the UK, in the hands of Stephen Bryant and the BBC Symphony Orchestra, under the direction of David Robertson. The first movement, ‘Cantus’, is linked to Orpheus, …

Radio 3 has featured a glut of premières recently, from a mixture of established and less well-known names. One such new name (to me, at least) is Gary Carpenter, whose new orchestral piece Fred and Ginger received its first performance on 17 February, broadcast a week later. A little over …

Sometimes, timing changes everything. Tomorrow sees the release of a new EP from Japan’s Atsuhito Omori, better known as Ex Confusion, titled Too Late, They Are Gone. That a work of such sublime quietude from a Japanese artist should come at such a desperate time for that country—which has, in …

As an occasion, Valentine’s Day is polarising enough, split between they who regard it with importance, and those for whom it’s little more than an overhyped, vacuous sham. But that polarisation was exacerbated further on this particular Valentine’s Day, bringing as it did Radiohead‘s announcement that their eighth album, The …

Last autumn, on 27 November, at a lunchtime concert at London’s Wigmore Hall, the renowned Takacs Quartet gave the UK Première of the American composer Daniel Kellogg‘s Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden. As that title suggests, the piece draws on material from …

It’s high time we caught up with some premières here on 5:4; there have been quite a few on Radio 3 in the last few months, and by the look of things, there are going to be many more in the near future. Last night, the first performance of a …

There will be some who regard Aidan Baker as not just an important part of post-rock, ambient doom music, but as a sine qua non of that scene, perhaps even the benchmark by which its practitioners should be measured and judged. Such is his perceived importance to many, and the …

If there’s one thing that characterises Tim Hecker’s music, it’s a spirit of dichotomy, sitting comfortably betwixt smooth, rounded ambient edges and jagged points of noise. Ravedeath, 1972 continues that dichotomy, and embodies another one, combining the effervescent caprice of live improvisation with the cool consideration subsequently brought to bear …