An interesting album that came out quite late last year is San Servolo Registri Festival Concert, featuring assorted organ-based electroacoustic works performed by Lauren Redhead and Alistair Zaldua. It’s a curious mixture of music, yet while the pieces demonstrate a certain amount of diversity, several of them share aspects in …
organ
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Staunch conservatives don’t merely hold sway over our current government but also, it seems, our concert halls, judging by the latest desolation of premières at this year’s Proms. In the case of the Prelude and Fugue in G major by Rachel Laurin, posthumously premièred in Isabelle Demers’ organ recital, i …
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i’m concluding my coverage of this year’s Ultima festival with something that – over a week since it took place – i’m still grappling with in terms of what i experienced as well as, quite simply, what to call it. On 17 September a marathon was being run through the …
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For the next work in this year’s 5:4 Lent Series, i’m turning to a work for oboe and three organs by Estonian composer Lauri Jõeleht. A Prayer in Darkness dates from 2017, and its title is drawn from an eponymous poem by G. K. Chesterton, the final verse of which …
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Tipping my hat to the fact that this time of year still has, for some people, a connection to things religious, behind today’s Advent Calendar door is a piece from surely the largest cycle of liturgical music ever composed. There are some composers whose music i could write about practically …
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Not everything i heard at Ultima 2021 was bound up in convolutions of meaning. Ryoji Ikeda‘s forays into the world of percussion (which i previously explored in 2018) are a sidestep away from his more central work in multi-layered representations and interpretations of data, instead concerned much more directly with …
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Being the host nation, music from Norway was especially well-represented at this year’s Nordic Music Days in Bodø. Harnessing the large and impressive organ of Bodø Cathedral, Trond Kverno‘s Triptychon 2 was one of the fieriest things i heard at the festival. We tend to think of toccatas as fast-flowing, …
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One of the minor passions of my listening life, which i rarely write about here, is organ music. It doesn’t come up very often in the world of contemporary music, but it did a couple of months back in the gala recital at this year’s OrganFest at Llandaff Cathedral. Performed …
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CD/Digital releases
Jakob Ullmann – Fremde Zeit Addendum 5; Stefan Fraunberger – Quellgeister #3 Bussd
by 5:4i’ve been spending time lately with new releases from two composers towards whose work i’ve hitherto felt almost universally positive. There’s something a little nerve-racking about this, inducing anxiety – and, to an extent, incredulity – that the unfamiliar new will be able to live up to the marvellous old. …
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Birthdays and anniversaries provide an excellent opportunity to stop and look back, and contemplate everything that’s happened along the path of time that leads to here and now. This week – on Wednesday, in fact – marked the 60th birthday of Estonia’s most unconventional and irrepressible composer, Erkki-Sven Tüür. i’ve …
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There’s something absolutely right about the bringing together of Norway’s Only Connect – a festival that, as its name implies, encourages one to question (inter)connections between ostensibly disparate musics – with Tectonics, Ilan Volkov’s peripatetic festival the name of which evokes fundamental, underlying bedrocks that continually meet, connect and rupture. …
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If you were to take Jakob Ullmann’s solo III for organ, Stefan Fraunberger’s Quellgeister series and Monty Adkins’ recent Shadows and Reflections and use them as the basis for a new composition, the result would probably closely resemble one of the most (if not the most) stunning releases i’ve heard so …
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FestivalsPremières
Proms 2017: Cheryl Frances-Hoad, Jonathan Dove, Daniel Saleeb – Chorale Preludes (World Premières)
by 5:4As will have been clear from my 38th mixtape back in April, my love affair with the organ has been a long and significant one. It’s an instrument that often gets overlooked in the world of contemporary music, so a definite plus of this year’s Proms season has been the …
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Despite the fact that writing about amazing music is such an unalloyed pleasure, there are times—many more times than i would care to admit—when the music skitters away, becoming elusive when confronted by one’s attempts to speak of it. Perhaps there’s no dishonour in being confounded by glory, but the …
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Today marks the anniversary of the death of Jehan Alain, one of the most interesting and enigmatic French composers of the first half of the twentieth century. To me, Alain’s unique musical sensibility draws comparison with two other composers; the free-spirited, swirling exoticism and spontaneous evocations of feeling suggest Alexander …
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Being Christmas Day, organists up and down the land will be putting Messiaen‘s Dieu parmi nous through its paces. In the UK, it’s become practically as ubiquitous as Handel’s Messiah, so with the wonderful and timeless “Messiah on Crack” in mind, i offer you what we might perhaps call “Messiaen …
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Thierry Escaich‘s recital on 4 September brought to a close the contribution of the organ to the new music at this year’s Proms (preceded by Michael Berkeley’s Organ Concerto and Stephen Farr’s recital at the start of the season). Escaich’s programme included much familiar fare—Reger, Franck, Liszt—in addition to an …
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The Prom concert on the evening of 3 September included a performance of Michael Berkeley‘s rarely-heard Organ Concerto, performed by David Goode with the BBC National Orchestra of Wales. There are few British composers who seem to be so centrally connected to the world of music than Michael Berkeley. Son …
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Given that so few composers seem to show any real interest in the organ these days, the prospect of a new work for the instrument at this year’s Proms—of 35 minutes’ duration, no less—was a mouth-watering one. Splendidly, the honour was given to Judith Bingham, a composer who, compared to …
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ConcertsPremières
Size isn’t everything (but it is something): Sorabji – Organ Symphony No. 2
by 5:4“Too many notes”, complained Emperor Joseph II to Mozart in response to his opera Le Nozze de Figaro; quite how he would have reacted to the concert that took place a little over a week ago in Glasgow University Chapel – featuring the Finale from Kaikhosru Shapurji Sorabji‘s Second Organ Symphony, …
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