Anniversaries

To conclude my Éliane Radigue birthday weekend, i’m returning to a work in the Occam series that i’ve briefly written about previously, Occam Delta XV. The piece dates from 2018 and results from a collaboration between Radigue and Quatuor Bozzini. In a way that i hope isn’t too fanciful, the overall…

The second of the three works i’m exploring in this Éliane Radigue birthday long weekend is also the most austere. Not only is Occam XXI for a single instrument, violin, but also in contrast to perhaps the majority of the Occam series, the harmonic language of the piece is radically…

A composer whose work i return to more often than most – and find the experience completely different every time i do – is Éliane Radigue. Today is the grande dame’s 88th birthday – joyeux anniversaire! – so, as i did a few years ago, i’m going to devote another…

Birthdays and anniversaries provide an excellent opportunity to stop and look back, and contemplate everything that’s happened along the path of time that leads to here and now. This week – on Wednesday, in fact – marked the 60th birthday of Estonia’s most unconventional and irrepressible composer, Erkki-Sven Tüür. i’ve…

Alongside the individual pieces i’m focusing on in this Lent Series, i’m also going to be providing an overview of as much as possible of Rebecca Saunders’ music that has been released commercially. When i started planning this series of articles last autumn, my perception was that there wasn’t very…

Since the trace is not a presence but the simulacrum of a presence that dislocates itself, displaces itself, refers itself, it properly has no site; erasure belongs to its structure. And not only the erasure which must always be able to overtake it (without which it would not be a…

Rebecca Saunders turned 50 towards the end of last year, so to mark this milestone the 5:4 Lent Series will this year be dedicated to her music. Over the course of the next six weeks, i’ll be looking at a number of her pieces in some detail, as well as…

Today is the 75th birthday of one of the UK’s most consistently remarkable, bewildering, surprising and moving composers, Brian Ferneyhough. By way of a miniature celebration, here are two recordings of his shortest composition, Fanfare for Klaus Huber for two percussionists. It’s a piece i feel somewhat connected to: composed in…

On this day, in 1966, Dmitri Shostakovich turned 60, and the evening brought a birthday concert including the world première of his Cello Concerto No. 2. The piece is well worth singling out for celebration, partly because to my mind it starts to resolve the very real difficulties that confront…

Last week saw the centenary of the birth of American composer Milton Babbitt. Babbitt continues to be a neglected figure, and personally speaking, the anniversary served to remind how little i know of his music and how rarely i’ve encountered it over the years. Those in a similar situation will…

An anniversary i wasn’t able to observe due to being engrossed in my Lent series was that of the death of Tōru Takemitsu, who died a little over twenty years ago, on 20 February 1996. i can still remember the day vividly; at the time i was an undergraduate at the Birmingham…

It’s the grande dame‘s birthday today, and i’m rounding off my Éliane Radigue long weekend with another work from the OCCAM OCEAN series, one that in some respects combines those featured in the last couple of days. OCCAM DELTA IV, for bowed harp, microtonal tuba and cello, dates from 2013,…

For the second day of my Éliane Radigue long weekend, another work from the OCCAM OCEAN series, and a particularly austere one. Composed in 2013, OCCAM XI is not simply for solo tuba, but solo microtonal tuba, specifically that of British tubist Robin Hayward. Not that that’s immediately obvious from…

This coming Sunday is French composer Éliane Radigue‘s birthday, so by way of a little celebration, i’m going to devote a long weekend to some of her more recent work. Having spent much of her life creating electronic music (exclusively composed on the ARP 2500), for the last decade-and-a-bit Radigue’s…

Today marks the anniversary of the death of Jehan Alain, one of the most interesting and enigmatic French composers of the first half of the twentieth century. To me, Alain’s unique musical sensibility draws comparison with two other composers; the free-spirited, swirling exoticism and spontaneous evocations of feeling suggest Alexander…

Today is the 82nd birthday of one of my favourite composers, George Crumb. To mark the occasion, here’s a recording of a performance of one of his most well-known and loved pieces, the great and formidable string quartet Black Angels, which received its first performance 41 years ago yesterday (hmm,…

400 years ago today, Tomás Luis de Victoria, one of the very finest Renaissance composers, died. To commemorate his passing, a little over three weeks ago the Tallis Scholars directed by Peter Phillips gave a late-night Prom concert dedicated to Victoria’s music. The concert begins with one of the Motecta…

It’s one of those curious memories that remains surprisingly vividly—the time: mid-December 1990; the place: Our Price Records on Cheltenham High Street. Having made my way down the narrow stairs to the basement where the CDs were kept (cassettes only upstairs), i stumbled into a collection of sounds the like…

The fifth and final concert featured in this Schnittke Week was broadcast on 15 January 2001, and featured the BBC Symphony Orchestra conducted by Eri Klaas. The first part of the concert opened with something of an oddity: Hommage à Edvard Grieg, composed for the 150th anniversary of Grieg’s birth…

Today’s featured Alfred Schnittke concert was broadcast on 14 January 2001, and comprised two monumental pieces, the Cello Concerto No. 2, with Torleif Thedéen taking the solo role, and the dual-named Symphony No. 5 (Concerto Grosso No. 4); Vassily Sinaisky directs the BBC Philharmonic. More than the others, this recording…