Festivals

Yesterday afternoon saw the first new work to be featured in the Proms Chamber Music series. Sorowfull Songes is a small choral song cycle by English composer Julian Philips, setting five texts by the great Thomas Wyatt. Don’t be fooled by the title, though, as there’s nothing remotely Dowlandesque about …

The latest work to be premièred at the Proms was Endless Forms, by a composer new to me, Fung Lam, born in Hong Kong but based in the UK for the last fifteen years. It was performed by the BBC Symphony Orchestra, conducted by Sakari Oramo who had replaced an …

The first UK performance of Kaija Saariaho‘s 2008 work Laterna magica took place at tonight’s Prom concert in decidedly sumptuous company, Strauss’ Also Sprach Zarathustra and Four Last Songs on one side, Sibelius’ Seventh Symphony on the other. It was a superbly-judged juxtaposition; while Saariaho’s music occupies places hard to …

The 2012 Proms season was launched this evening with the world première of a new work from Mark-Anthony Turnage. Titled Canon Fever, the piece is an unabashed concert-opener, as Turnage explains: What constitutes a good concert opener? […] The music is irreverent; it doesn’t behave itself, it wakes the audience …

Having largely ignored the hype and hullabaloo surrounding the launch of this year’s Proms season, my concert guide arrived this morning and so i’ve finally taken a proper look at what lies ahead; it promises to be an interesting and, at times, exciting experience. Once again the season will begin …

The 2011 Proms season began with a première, and the last night began with one too, a concert-raiser from Master of the Queen’s Music Peter Maxwell Davies titled Musica benevolens, the title of which tips the hat at the work’s commissioners, the Musicians Benevolent Fund. It was performed by the …

As already noted, this year’s Proms season has seen an abundance of new concertos, the last and most substantial of which was given its UK première on 7 September: the Concerto for Violin & Orchestra by Harrison Birtwistle. Birtwistle wrote the work for soloist Christian Tetzlaff, who gave the first …

Thierry Escaich‘s recital on 4 September brought to a close the contribution of the organ to the new music at this year’s Proms (preceded by Michael Berkeley’s Organ Concerto and Stephen Farr’s recital at the start of the season). Escaich’s programme included much familiar fare—Reger, Franck, Liszt—in addition to an …

The Prom concert on the evening of 3 September included a performance of Michael Berkeley‘s rarely-heard Organ Concerto, performed by David Goode with the BBC National Orchestra of Wales. There are few British composers who seem to be so centrally connected to the world of music than Michael Berkeley. Son …

Right, where were we? Saturday 3 September brought the last of the Proms’ Matinee concerts from the Cadogan Hall, each of which has featured contemporary music prominently. This final occasion was no exception, including works by Tippett and Sofia Gubaidulina, and presenting the first UK performance of John Tavener‘s Popule …

The music of Graham Fitkin has been featured twice this week at the Proms, both occasions in the hands of cellist Yo-Yo Ma. First came L, a work for cello and piano composed for Ma’s 50th birthday (commissioned by Kathryn Stott, who accompanied the performance), while this evening’s Prom brought …

If one thing has dominated the premières at this year’s Proms, it’s the presence of the concerto; thus far, we’ve heard no fewer than six (Dalbavie, Carter, Holloway, Holt, Larcher and Aperghis), with more coming in the days ahead. Monday’s Prom brought yet another concerto into being, Kevin Volans‘ Piano …

Sunday night’s Prom brought the world première of a new work from Faber’s finest, Colin Matthews: No Man’s Land for tenor and baritone soli and orchestra. Commissioned by Richard Hickox immediately prior to his death in 2008, it was presented by the orchestra Hickox himself formed 40 years ago, the …

Last Saturday’s Proms matinee was devoted to new music, featuring no less a line-up than the BBC Singers and the London Sinfonietta, both conducted by David Atherton. The concert opened with Peter Maxwell Davies‘ Il rozzo martello, a sombre and rather austere choral work that comes across as older than …

Last Thursday’s Prom was an all Austrian affair, opening with the world première of Thomas Larcher‘s Concerto for Violin, Cello & Orchestra; Viktoria Mullova and Matthew Barley were the soloists, pitted against the BBC Scottish Symphony Orchestra conducted by Ilan Volkov. Beforehand, one wondered if it might prove to be …

The most recent premières at this year’s Proms have been a pair of arrangements, the first, a suite formed by Robert Ziegler from Jonny Greenwood‘s score to the film Norwegian Wood, the second, a new rendition of Henry Purcell‘s Chacony in G minor, by Joby Talbot. Greenwood’s music was performed …

Simon Holt has been featured at the Proms on numerous occasions over the years, and yesterday his music returned to the Albert Hall with the orchestral work Centauromachy. It was given by the BBC National Orchestra of Wales, with whom Holt is Composer in Association; they were conducted by François-Xavier …

After a few days’ break, new music returned to the Proms this evening with the world première of Robin Holloway‘s Fifth Concerto for Orchestra, played by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles. His previous quartet of orchestral concerti have been diverse, making it difficult to predict with …

Yesterday evening’s Prom concert brought not one but two flute concertos, performed by Swiss virtuoso Emmanuel Pahud, together with the BBC National Orchestra of Wales, again under Thierry Fischer’s direction. The two pieces are nearly five and three years old respectively, the first from Marc-André Dalbavie, who turned 50 earlier …

Turning one’s attention to the second work of Pascal Dusapin‘s to be featured at this year’s Proms, superficial similarities to the last première, Sally Beamish’s Reed Stanzas, immediately present themselves. This, too, is a piece for string quartet (Dusapin’s String Quartet No. 6), although extensively augmented and amplified by the …