Premières

The music of Pascal Dusapin is being featured twice at this year’s Proms. The first piece, Morning in Long Island, was given its UK première yesterday evening, by the Orchestre Philharmonique de Radio France, directed by Myung-Whun Chung. It’s not exactly the kind of appellation one would immediately associate with…

Given that so few composers seem to show any real interest in the organ these days, the prospect of a new work for the instrument at this year’s Proms—of 35 minutes’ duration, no less—was a mouth-watering one. Splendidly, the honour was given to Judith Bingham, a composer who, compared to…

The 2011 Proms season commenced this evening with the world première of a new work from Judith Weir. Evocatively titled Stars, Night, Music and Light, Weir has drawn on three lines of text from the sixth stanza of George Herbert‘s poem ‘Man’, a poem that echoes the sentiments of Psalm…

In seven days’ time, the 2011 Proms season will be upon us, bringing with it a welter of new music. This year’s season promises no fewer than 12 world premières and eight UK premières, plus four ludicrously-titled “London premières”; once again, they’ll all be featured on 5:4, alongside one or…

The final concert in the “New Tunes on Old Fiddles” series included the world première of Images Sombres by Adam Duncan, composed for the viola da gamba player Jonathan Manson. A title such as Images Sombres, composed for viol, puts John Dowland in mind, but while Duncan’s sensibility might echo…

Third in the “New Tunes on Old Fiddles” concert series was a recital given by the outstanding Dutch recorder player Erik Bosgraaf. The concert included two world premières: Impressions by Brit Matthew Bilyard and Jet by Greek composer Panayiotis Kokoras. The preamble claims Impressions conjures up “images of bustling coastal…

The second première in the “New Tunes on Old Fiddles” concert series was a work for viola d’amore and harpsichord, Who is Mr Grobe? by Duncan Ward, given its first performance last November by Catherine Mackintosh and Christopher Bucknall. Ward’s piece grew out of the apparent ‘mystery’ surrounding another piece…

A few months ago, BBC Radio 3 broadcast a series of lunchtime concerts recorded late last year at the Clothworkers Centenary Concert Hall in Salford, under the heading “New Tunes on Old Fiddles”. Each of the concerts featured early music played on period instruments, plus the première of a new…

Yesterday was a long day, spent in the company of the music of Unsuk Chin, the latest composer to be featured in the Barbican’s ongoing Total Immersion series. In some ways, it feels like Chin’s music has been around forever—or, at least, for the last 20 years, since Acrostic-Wordplay first…

James MacMillan‘s most recent composition, Seraph, a concertino for trumpet and strings, was premièred by Alison Balsom and the Scottish Ensemble a little over a month ago, at the Wigmore Hall in London. Its bold, militaristic start immediately puts Shostakovich in mind, but this is supplemented with an obvious reference…

On 11 February, getting on for 15 years since its world première in Darmstadt, Detlev Glanert‘s Musik für Violine und Orchester arrived in the UK, in the hands of Stephen Bryant and the BBC Symphony Orchestra, under the direction of David Robertson. The first movement, ‘Cantus’, is linked to Orpheus,…

Radio 3 has featured a glut of premières recently, from a mixture of established and less well-known names. One such new name (to me, at least) is Gary Carpenter, whose new orchestral piece Fred and Ginger received its first performance on 17 February, broadcast a week later. A little over…

Last autumn, on 27 November, at a lunchtime concert at London’s Wigmore Hall, the renowned Takacs Quartet gave the UK Première of the American composer Daniel Kellogg‘s Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden. As that title suggests, the piece draws on material from…

It’s high time we caught up with some premières here on 5:4; there have been quite a few on Radio 3 in the last few months, and by the look of things, there are going to be many more in the near future. Last night, the first performance of a…

MERRY CHRISTMAS TO YOU ALL! This year’s commission at the Festival of Nine Lessons and Carols from King’s College, Cambridge was from the renowned Finnish composer Einojuhani Rautavaara. Modal shifts early on in his piece, Christmas Carol, actually sound a bit like Vaughan Williams, but swiftly take on a more…

It’s Advent Sunday, the start of a new Church year, and before you can say “Tis the season…”, here comes the first carol service this afternoon, from – as usual – St John’s College, Cambridge. Like its big brother, the Festival of Nine Lessons and Carols, this service also features…

The fifth and final concert featured in this Schnittke Week was broadcast on 15 January 2001, and featured the BBC Symphony Orchestra conducted by Eri Klaas. The first part of the concert opened with something of an oddity: Hommage à Edvard Grieg, composed for the 150th anniversary of Grieg’s birth…

The second concert being featured in this week of music by Alfred Schnittke comprised two of his major compositions plus the world première of a work unfinished at his death. It took place on 13 January 2001, and was given by the London Sinfonietta, conducted by Martyn Brabbins. The concert…

A fortnight ago, the BBC Symphony Orchestra celebrated its 80th birthday with a concert including a pair of premières, both concertos: one for percussion by Stephen McNeff (composed for the boisterous O Duo) and a clarinet concerto from Kaija Saariaho. McNeff instructs the orchestra to establish the mood, the first…

On 15 October, James MacMillan‘s Oboe Concerto received its first performance at Birmingham’s Town Hall, conducted by MacMillan himself. Taking the solo rôle was Nicholas Daniel, a performer who has brought numerous new oboe works to the world, usually at the more mainstream end of the contemporary spectrum. Structurally, at…