This year’s Proms has already had a couple of concerto premières, and the third, from Bent Sørensen, is one for piano and orchestra. Inspiration for the work, La mattina (Piano Concerto No. 2) is in part connected to Mozart, and Sørensen has opted for an orchestra of like size (no …

A few hours after the bizarre final notes of Arvo Pärt’s Symphony No. 4 had faded away, the BBC Scottish Symphony Orchestra and conductor Ilan Volkov came to the Royal Albert Hall to present the Proms with a late-night performance of rather more experimental fare. They began with one of …

Last Friday evening’s Prom concert, given by the Philharmonia Orchestra conducted by Esa-Pekka Salonen, brought to the UK Arvo Pärt‘s first symphony in almost four decades: his fourth, subtitled (with both geographical and theological connotations) ‘Los Angeles’. However, before Pärt’s work—in an imaginative, even provocative bit of concert programming—came a short …

As far back as 1988, in his seminal essay on what was, at the time, laughingly called ‘the New Complexity’, Richard Toop described the Scottish composer James Dillon—even within that narrow niche—as an ‘outsider’. Over two decades on, in Dillon’s sixtieth year, little as changed; he remains relatively unknown within …

Tuesday 17 August’s Proms concert brought the world première of Huw Watkins‘ Violin Concerto, the second new violin concerto heard this season. The opening movement sets a commanding tone, its fast tempo instigated by the solo violin, surrounded by pointillistic contributions from winds and upper strings, firmly drummed in place …

For this year’s Proms, Saturday 14 August was designated “Bach Day”, and buried beneath all the BWVs were two new works, by Tarik O’Regan and Alissa Firsova, both works described as ‘arrangements’. O’Regan’s approach, as he saw it, was to tease out ‘hidden’ musical lines within the opening movement of …

A world première from Stephen Montague is always an exciting prospect; while hardly an avant-garde figure, he’s highly unpredictable, and one imagines neither the BBC nor the audience could have envisaged what Montague would ultimately present them with in his new work Wilful Chants, given its first performance by the …

Saturday 7 August’s Proms concert saw the first London performance of Julian Anderson‘s 25-minute Fantasias, a work the National Youth Orchestra has been playing around the country for the last few days, all under the direction of Semyon Bychkov. It’s a work in five movements, the first of which puts …

So, where were we? Ah yes, The Proms; my catchup starts with the concert that took place on Friday 6 August, given by the splendid Birmingham Contemporary Music Group. Oliver Knussen‘s Two Organa is a work all the more engaging for its entirely lopsided nature. The first ‘organum’, “Notre Dame …

Two weeks’ holiday are beckoning, so there’ll be no further posts until i return. The Proms premières will all be recorded in my absence (tonight’s concert is being recorded as i write these words), so expect a series of posts catching up in late August. Meanwhile, as ever, enjoy the …

Another day, another première—this time, it was the first London performance of George Benjamin‘s Duet, for piano and orchestra. In the solo rôle is the unsurpassable Pierre-Laurent Aimard, and he precedes Benjamin’s work with a rendition of György Ligeti‘s “Mesto, rigido e ceremoniale”, the second piece from his enthralling Musica …

Tonight’s Prom concert opened with another London première, Amphitheatre by the Australian composer Brett Dean, who won last year’s prestigious Grawemeyer Prize. The work was composed a decade ago, and appropriately enough was presented this evening by the Australian Youth Orchestra, conducted by the effervescent Mark Elder. The clarity of …

Tonight’s Proms première found itself nestling among an assortment of contemporary works, each vying for attention. Given by the BBC Symphony Orchestra under Oliver Knussen’s direction, the concert opened with Stockhausen‘s 1977 work Jubilee, a 16-minute work hysterically described by some as an ‘overture’ (!!). Of course, it’s nothing of …

This evening’s Proms première came from the pen of one of England’s most intriguing and engaging composers, Simon Holt. Holt’s music betrays little of the generic English sound that plagues so many of the ‘established’ (i.e. published) composers in this land—there’s no trace of the anodyne ‘Faber sound’ here. On …

On 8 July – the anniversary of Danielle Baquet-Long‘s death – in a rather lovely coincidence, her first posthumous release, Ornitheology, landed on my doormat. That was the standard edition, released in a typically short run of 125 copies by Digitalis—by now, of course, very sold out. Yesterday, the special …

At tonight’s Proms, almost a year-and-a-half after its world première, Gunther Schuller‘s Where the Word Ends finally found its way to England. It came in the hands of the splendid WDR Symphony Orchestra Cologne, under the direction of Semyon Bychkov, in his farewell concert with the orchestra he’s faithfully served …

Canada’s most exciting electronic pop outfit Dragonette are putting out their first release of 2010 in a week’s time, a single titled “Our Summer Volcano”. The partial title track, “Our Summer”, is an audaciously addictive anthemic floor stomper, perfect for summer parties where it’s destined to send people out of …

The Proms season is upon us once again, bringing with it the lively hope of new commissions and world premières. However, a cursory glance at the concert season makes for rather damp reading, the commissions going to an unadventurous gaggle including Mark-Anthony Turnage, David Matthews, Graham Fitkin, Jonathan Dove and …

The new 5:4 podcast is a presentation of a field recording i made of the dawn chorus, a couple of months ago. The recording was made at Lower Woods Nature Reserve, about which a little more can be read/seen via the following links: Gloucestershire Wildlife Trusts Wikipedia Geograph (it was …

How quickly a year passes. On this day, 12 months ago, Danielle Baquet-Long died, bringing to an abrupt end the remarkable musical project that she and husband Will had crafted together for several years. Of course, music, like life, goes on regardless, and the prospect of plenty more releases yet …