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Oklou & Casey MQ – For the Beasts

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Robert Henke – Oomoo

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D’Incise – the fields remain while the recorder has long vanished

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Re:Enactment – Kittens

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Techdiff – P.Conv

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Best Albums of 2025 (Part 2)

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Best Albums of 2025 (Part 1)

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Patricia Alessandrini & Marco Fusi – Proximity, Distance

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Aya – Hexed!

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Quinquis – Eor

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Enno Poppe – Körper

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HCMF 2025 (Part 2)

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    Harrison Birtwistle – Donum Simoni MMXVIII (World Première)

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    Catherine Lamb – portions transparent/opaque (World Première)

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    CBSO Centre, Birmingham: BCMG – Murmurs

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    John Oswald – I’d love to turn (World Première)

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    National Maritime Museum, London: Hollie Harding – Melting, Shifting, Liquid World (World Première)

    by 5:4 March 21, 2019 • 17:16
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    Borealis 2019 (Part 2)

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    Naomi Pinnock – The Field is Woven (World Première)

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    Borealis 2019 (Part 1)

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    The Caretaker – Everywhere at the end of time – Stage 6

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    Kristin Þóra Haraldsdóttir – In Praise of Darkness (UK Première)

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    James Clarke – Untitled No. 9 (World Première)

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    Liisa Hirsch – Lävi (World Première)

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    Quatuor Bozzini – Phill Niblock: Baobab

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    John Wall & Alex Rodgers – Soar

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    Dark Music Days 2019: Sound Mass; Reykjavik Chamber Orchestra

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    Dark Music Days 2019: Caput Ensemble; Nordic Affect & Maja S K Ratkje

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    Dark Music Days 2019: Neko3; Heiða Árnadóttir

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    Dark Music Days 2019: Iceland Symphony Orchestra; Yrkja

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    Dark Music Days 2019: Zoë Martlew

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    Dark Music Days 2019: Icelandic Guitar Trio

    by 5:4 February 5, 2019 • 15:07
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Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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5:4
  • About
    • Other writings
  • Patrons
  • The Lists
    • Listening History
    • Complete List of Ratings
    • Compositions explored on 5:4
    • Albums and EPs reviewed on 5:4
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    • Best Albums of the Years
    • The Proms premières – Poll results
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