James MacMillan‘s most recent composition, Seraph, a concertino for trumpet and strings, was premièred by Alison Balsom and the Scottish Ensemble a little over a month ago, at the Wigmore Hall in London. Its bold, militaristic start immediately puts Shostakovich in mind, but this is supplemented with an obvious reference …
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On 11 February, getting on for 15 years since its world première in Darmstadt, Detlev Glanert‘s Musik für Violine und Orchester arrived in the UK, in the hands of Stephen Bryant and the BBC Symphony Orchestra, under the direction of David Robertson. The first movement, ‘Cantus’, is linked to Orpheus, …
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Radio 3 has featured a glut of premières recently, from a mixture of established and less well-known names. One such new name (to me, at least) is Gary Carpenter, whose new orchestral piece Fred and Ginger received its first performance on 17 February, broadcast a week later. A little over …
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CD/Digital releases
A complete counterpoint to untold destruction: Ex Confusion – Too Late, They Are Gone
by 5:4Sometimes, timing changes everything. Tomorrow sees the release of a new EP from Japan’s Atsuhito Omori, better known as Ex Confusion, titled Too Late, They Are Gone. That a work of such sublime quietude from a Japanese artist should come at such a desperate time for that country—which has, in …
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CD/Digital releases
The familiar and the strange playing together as friends: Radiohead – The King of Limbs
by 5:4As an occasion, Valentine’s Day is polarising enough, split between they who regard it with importance, and those for whom it’s little more than an overhyped, vacuous sham. But that polarisation was exacerbated further on this particular Valentine’s Day, bringing as it did Radiohead‘s announcement that their eighth album, The …
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Premières
Daniel Kellogg – Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden (UK Première)
by 5:4Last autumn, on 27 November, at a lunchtime concert at London’s Wigmore Hall, the renowned Takacs Quartet gave the UK Première of the American composer Daniel Kellogg‘s Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden. As that title suggests, the piece draws on material from …
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It’s high time we caught up with some premières here on 5:4; there have been quite a few on Radio 3 in the last few months, and by the look of things, there are going to be many more in the near future. Last night, the first performance of a …
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There will be some who regard Aidan Baker as not just an important part of post-rock, ambient doom music, but as a sine qua non of that scene, perhaps even the benchmark by which its practitioners should be measured and judged. Such is his perceived importance to many, and the …
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If there’s one thing that characterises Tim Hecker’s music, it’s a spirit of dichotomy, sitting comfortably betwixt smooth, rounded ambient edges and jagged points of noise. Ravedeath, 1972 continues that dichotomy, and embodies another one, combining the effervescent caprice of live improvisation with the cool consideration subsequently brought to bear …
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The clue is in the title—”… and the candle went out!”—and this fourth and final episode of Requiem for Mozart, broadcast on 10 December 1991, is irrevocably drawn to Mozart’s impending end. It opens, however, in the spring of 1781, and an atmosphere of levity, the composer buoyed up on …
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The third part of Requiem for Mozart, “I didn’t know I was a valet!”, was broadcast on 3 December 1991, just two days before the 200th anniversary of Mozart’s death. The episode’s title speaks of the indignation Mozart felt upon his return to Vienna, where his employer Archbishop Colloredo treated …
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Part 2 of Requiem for Mozart, “I will no longer be a fiddler!”, was broadcast on 26 November 1991. It picks up the story in 1777, with Mozart’s decision to relinquish his post in Salzburg, his eye set on securing a more notable position in Paris. Thus begins a fairly …
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Anyone with an interest in Radio 3 can’t have failed to notice the BBC’s ongoing The Genius of Mozart season, devoting the first dozen days of 2011 to nothing but Mozart’s music, incorporating (they claim) “every note he wrote”. Not the most imaginative idea ever, but Mozart’s hardly a poor …
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HAPPY NEW YEAR! It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mixtape, featuring one track from each …
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* Please note this list has how been superseded by the one on the Best Albums of the Years page * Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:
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* Please note this list has how been superseded by the one on the Best Albums of the Years page * Continuing the 5:4 retrospective, and after probably far too much deliberation, here are the first twenty of my forty Best Albums of 2010 (to be concluded tomorrow): 40 | …
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And so it finally begins, the lengthy annual retrospective of all that was best in 2010. As usual, let’s start with my run-down of the 10 Best EPs of the year: 10 | Danny Baranowsky – Steambirds (iOS) Soundtrack Something of an oddity in this list, perhaps, but Danny Baranowsky’s synthetic …
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Advent & ChristmasPremières
Festival of Nine Lessons & Carols (King’s College, Cambridge): Einojuhani Rautavaara – Christmas Carol (World Première)
by 5:4HAPPY HOLIDAYS TO YOU ALL! This year’s commission at the Festival of Nine Lessons and Carols from King’s College, Cambridge was from the renowned Finnish composer Einojuhani Rautavaara. Modal shifts early on in his piece, Christmas Carol, actually sound a bit like Vaughan Williams, but swiftly take on a more …
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Anyone in the Birmingham area tomorrow night (Monday 13th) might be interested in the next concert my ensemble, Interrobang, is giving. The concert will feature a number of works by established composers, intermingled with four pieces by students and graduates of the Birmingham Conservatoire (where Interrobang is based). It includes …
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It’s one of those curious memories that remains surprisingly vividly—the time: mid-December 1990; the place: Our Price Records on Cheltenham High Street. Having made my way down the narrow stairs to the basement where the CDs were kept (cassettes only upstairs), i stumbled into a collection of sounds the like …