The other recent release of Icelandic music that i’ve been spending time with lately is Ethereality, by flautist Berglind María Tómasdóttir (whose Icelandic Flute Music album i explored at the start of the year). When writing about Anna Þorvaldsdóttir’s Enigma i commented on the way the distinction between the different…
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Anna Þorvaldsdóttir
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i’ve been spending quite a bit of time lately with two interesting recent releases of Icelandic music. The first is a short album (an EP really) featuring a string quartet by Anna Þorvaldsdóttir titled Enigma. The first thing that struck me, long before actually listening to the music, is that it’s…
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For the last two years, in the final week of January i’ve been heading off to Iceland for the annual Dark Music Days festival. Like pretty much all festivals at the moment, DMD has been postponed for a few months, but as a small consolation i’m going to conclude this…
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Something that comes up a lot in my writing about music is polarities. Perhaps it’s understandable; many composers strive to establish some kind of drama in their work, which often involves the juxtaposition and/or interplay of polarised types of material or behaviour. A lot of the satisfaction and enjoyment from…
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Released tomorrow is a new album of eight works by Icelandic composers, all of which have been curated by – and in some cases created in collaboration with – cellist and vocalist Gyða Valtýsdóttir. The general tone of these works, all of which are quite brief, is meditative in nature,…
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Due to the ongoing battle against COVID-19, many of us throughout the world are currently experiencing various states of lockdown and isolation. That’s not a situation that looks like it’s going to change significantly for the foreseeable future, so today i’m beginning a new weekly series of mixtapes on 5:4…
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CD/Digital releases
Sæunn Thorsteinsdóttir – Vernacular; Siggi String Quartet – South of the Circle; Iceland Symphony Orchestra – Concurrence
by 5:4In just over a week’s time Iceland’s premier new music festival, the Dark Music Days, will be up and running again, and once again i’ll be heading off to Reykjavík to immerse myself in some of the goings-on. Details about the festival can be found here, and for any UK…
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Being the host nation, music from Norway was especially well-represented at this year’s Nordic Music Days in Bodø. Harnessing the large and impressive organ of Bodø Cathedral, Trond Kverno‘s Triptychon 2 was one of the fieriest things i heard at the festival. We tend to think of toccatas as fast-flowing,…
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As i previously remarked, one of the most (and one of the only) disappointing things about my first experience of the Faroe Islands’ Summartónar festival was the almost complete lack of music by Faroese composers. The inclusion of Kristian Blak – artistic director of the festival – mitigated that to…
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Performed last Monday by an orchestra combining students from the Royal Academy of Music and the Juilliard School, conducted by Edward Gardner, Anna Þorvaldsdóttir‘s Metacosmos is a work i know quite well. Anna and i discussed it at length during our Dialogue together, and i explored the piece further following…
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i’m excited to present a new instalment in my series The Dialogues. On this occasion, i’m in conversation with Icelandic composer Anna Þorvaldsdóttir, whose music has become increasingly well-known in recent years. In the UK, her work has started to appear with more frequency on concert programmes, and there’s a…
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The final day of Iceland’s 2019 Dark Music Days festival was characterised by a back-and-forth between prosaic and profound. The penultimate concert i attended, titled ‘Sound Mass’, was an extreme case in point. Once again located in Harpa’s Kaldalón Hall, of the three works performed it was hard to do…
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Judging from the way it’s usually discussed, you’d be forgiven for thinking that – overwhelmingly inspired by the country’s uniquely dramatic combination of earth, water, ice and fire – Icelandic music was all about, and only about, nature. It’s therefore interesting, in hindsight, to note that it wasn’t until the sixth…
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Happy New Year everyone! Many thanks to all of you who have read, followed, commented, shared, promoted and otherwise supported the blog during the previous year, most especially to my beloved band of Patrons. i’m starting 2019 in the usual way, with a new mixtape featuring something from each of the…
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Right, let’s cut to the chase: forget all those other narrow, limited, parochial and partisan Best Albums lists, here’s the only list you need: my round-up of the 40 albums that have charmed, enthralled, awed and amazed me the most during 2018. In case anyone was in any doubt, it’s…
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As today is International Women’s Day, for my March mixtape i’ve allowed myself to indulge in a celebration of fabulous music by women composers and musicians. Compared to most of my mixtapes, this was one of the more difficult to create, for two reasons. First, because the shortlist of music…
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CD/Digital releases
New (Nordic) releases: Vilde&Inga, Nordic Affect, Trio Aristos, Iceland Symphony Orchestra
by 5:4There’s been a number of very interesting new releases recently featuring composers and performers from the Nordic countries. At the most unconventional end of the spectrum are violinist Vilde Sandve Alnæs and double bassist Inga Margrete Aas, a Norwegian duo who perform free-improvised music together as Vilde&Inga. Their new album Silfr, released…
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A very HAPPY NEW YEAR to you all! In keeping with 5:4 tradition, here’s the new year Mixtape showcasing music from each of my Best Albums of 2015. Three hours that demonstrate something of the sonic wonders that materialised last year. Enjoy! — and there are links to buy each…
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* Please note this list has how been superseded by the one on the Best Albums of the Years page * And here, bringing 2015 to a truly glorious end, is the conclusion of my countdown of the year’s best albums.
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CD/Digital releases
New releases: Gottfried Huppertz, Elliott Sharp, Anna Þorvaldsdóttir, Coppice
by 5:4i want to flag up a few more new releases that have recently been tickling my jukeboxical fancy. To begin with, music that’s not remotely contemporary, but which in its own way marks an important contribution to the development of a particular musical strand that began early in the 20th…
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